The world of AI filmmaking has entered a new era, with ambitious startups like Fable pushing the boundaries of creativity and challenging the definition of authorship. One such project that is sparking controversy involves the digital reconstruction of Orson Welles’ lost masterpiece, ‘The Magnificent Ambersons.’ This endeavor, spearheaded by filmmaker Brian Rose and AI startup Fable, promises to breathe life into a film deemed lost due to studio alterations following Welles’ removal from the project in 1942. However, ethical and legal questions arise surrounding the use of AI and intellectual property rights. While the project seeks to honor Welles’ creative genius, it has faced criticism for its lack of consultation with the estate. This raises crucial questions about how technology interacts with art and ownership in the digital age. [Continue with a description of Fable’s model and methodology] The case of ‘The Magnificent Ambersons’ is a fascinating example of AI-driven storytelling, sparking debate about authenticity versus recreation and the future of creative industries as we know them. Will AI truly embody artistic vision or risk becoming a mere technical echo? This article examines the ethical dilemmas surrounding this audacious project and explores its potential impact on the creative world.